Searching for information on the Global Information Grid, I found this awesome/mind-opening/think-out-of-the-box article : "Network Maps, Energy Diagrams : Structure and Agency in the Global System", by Brian Holmes.
Holmes describes current researches aimed at mapping networks of all kinds, from the obvious Internet to illegal sea-going immigration routes to pedestrians' s everyday itineraries in Amsterdam.
To document its very detailed yet comprehensive explanations of the background and applications, Holmes links to lots of websites which are worth the visit. Among all those sites, you may check this one : Each frame of this movie-map is a snapshot of Internet usage across the world during a few hours time; five different images were compiled every two days, over a period of some eighteen months. The result is an extraordinary visual experience. The ISPs turn green and advance toward the center as their connectivity increases; the link lines shift as the routing structure reconfigures to meet the moment’s demands. We watch the diurnal flux of the Internet, and feel the complex, disjunctive rhythm of the global information machine. It’s like the pulsing of a hive, a planetary brain: the cognitive and imaginary activity of untold millions of individuals, establishing far-flung connections.
To give you the flavor, here's the introduction :
The Internet is the vector of a new geography – not only because it conjures up virtual realities, but because it shapes our lives in society, and shifts our perceptions along with the ground beneath our feet. Networks have become the dominant structures of cultural, economic and military power. Yet that power remains largely invisible. How can the networked society be represented? And how can it be navigated, appropriated, reshaped in its turn?
Reflecting in the early 1980s on the spatial chaos that technological and financial developments had impressed upon contemporary cities, Fredric Jameson pointed to the need for “an aesthetics of cognitive mapping” to resolve “the incapacity of our minds, at least at present, to map the great global multinational and decentered communicational network in which we find ourselves caught as individual subjects.” He conceived this cartographic aesthetics as a collective pedagogy, whose challenge would be to correlate the abstract knowledge of global realities with the imaginary figures that orient our daily experience. Epistemological shifts, pushed forward by the use of sophisticated technical instruments, would need to be paralleled by the deployment of radically new visual vocabularies, in order to produce a clearer understanding of contemporary symbolic relations (social roles, class divides, hierarchies) and a fresh capacity for political intervention in the postmodern world. Only by inventing “some as yet unimaginable new mode of representing” could we “again begin to grasp our positioning as individual and collective subjects and regain a capacity to act and struggle which is at present neutralized by our spatial as well as our social confusion.”1
Twenty years later, what has become of the mapping impulse? What new forms of cartography have arisen to chart the virtual/real spaces of the present? What kinds of agency do they permit? What modes of social organization do they foster? Can critical and dissenting maps be distinguished among the established and dominant ones?
Full article and much more, here.
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